“Mr. Greilsammer understands that in doing “what people call a concept recital or recording,” he is opening himself to the charge that this is just a gimmick. But so far he has found his experiments emotionally and musically powerful.”
(Anthony Tommasini, The New York Times)

“Greilsammer keeps you engaged with his thoughtful approach.”
(WQXR)

“It is David Greilsammer’s freedom of playing and his exquisite phrasing that helps to make these seemingly disparate works from such different eras work so well in this remarkable recital. The recording is first rate…”
(The classic reviewer)

“David Greilsammer is leading the way for a new generation of musicians, and personally I can’t wait to see what he comes up with next.”
(Nicholas Heinzmann, String Visions)

“Mr. Greilsammer is a standout musician who has it in him to challenge, inform and delight audiences … the playing was exquisite”
(NY Times, USA)

“The young Israeli pianist David Greilsammer has proved to be a classical musician of exceptional probity and freshness”
(Daily Telegraph, UK)

“The music world is filled with good conductors. Most are adequate, even great, but precious few are genuinely inspired — so inspired that the musical experience for its listeners literally transports us to another plane of existence. David Greilsammer…falls into this category. His concert with the Geneva Chamber Orchestra…was my jaw-dropping evening of supreme musical ecstasy.”
(Today’s Zaman)

“..sleek, first-rate execution… a strange and fascinating interpreter of Mozart’s music… [Greilsammer and Labadie] raised the level of the concert far beyond expectations.
(San Francisco Chronicle)

“Few recitals I have ever attended have offered such a sense of intense beauty and discovery”
(The Daily News, USA)

«Fraîcheur, élan, vivacité, intelligence, simplicité,  évidence… David Greilsammer touche au cœur.»
(Le Monde, France)

“Greilsammer’s recital at Wigmore Hall was among the most authoritative British debuts in years”
(The Sunday Times, UK)

« Un pianiste boulimique à l’aise dans les différents styles et répertoires, dont la joie pour la musique est contagieuse. »
(Classica, France)